Rehearsal Recordings:
Song 1, West of Words. 16-bar intro (Alice sings at 0:31).
Song 1, Alice at 61.
Song 1, Alfred at 61.
Song 1, Soprano, starts at 33.
Song 1, Alto, starts at 33.
Song 1, Tenor, starts at 33.
Song 1, Bass, starts at 33.
Song 2, Down the Hole.
Song 2, Soprano, starts at 45.
Song 2, Alto, starts at 45.
Song 2, Tenor, starts at 45.
Song 2, Bass, starts at 53.
Song 2, Possible Alfred, 17-40.
Song 2, QOD and QOH.
Song 3, Still.
Song 3, with Alice and Alfred.
Song 3, Alice at 49.
Song 3, Alfred at 49.
Song 4, Chillin’ the Regrets. 120 is 3 bars long.
Song 4, Soprano, in at 31, cut from 56-81.
Song 4, Alto, in at 31, cut from 56-81.
Song 4, Tenor, in at 31, cut from 56-81.
Song 4, Bass, in at 31, cut from 56-81.
Song 4, Caterpillar 1 Right, Caterpillar 2 Left.
Song 4, Caterpillar 2.
Song 4, Caterpillar 1 Right, Alice Left.
Song 4, Caterpillar 1 Right, Queen of Diamonds Left.
Song 4, Alice only, at measure 83.
Song 5, The Key Is. Down a Major Second.
Song 5, Soprano, starts at 35, no 45-61.
Song 5, Alto, starts at 35, no 45-61.
Song 5, Tenor, starts at 35, no 45-61.
Song 5, Bass, starts at 35, no 45-61.
Song 5, Caterpillar 1 R, Caterpillar 2 L.
Song 5, Alice L, Alfred R.
Song 7, Those Long Eyes. Down a Major 2nd. Two bar intro.
Song 7, Alice right and Cheshire Cat left.
Song 8, Manage Your Flamingo.
Song 8, Soprano, at 63. Each of these recordings has Duchess’s part played on the piano for context, and the ensemble part played on electric piano.
Song 8, Alto, at 63.
Song 8, Tenor, at 63.
Song 8, Bass, at 63.
Song 8, Duchess.
Song 8, All solos except Duchess.
Song 8, All solos.
Song 8a, Tea Party Intro. This song has a 2-beat drum intro.
Song 8b, Tea Party Tableau 1. This song has a 2-beat drum intro.
Song 8c, Tea Party Tableau 2. This song has a 2-beat drum intro.
Song 9, Sick to Death. Down a Major Second.
Song 9, March Hare.
Song 9, Mad Hatter.
Song 9, Dormouse.
Song 10, Brillig Braelig. This song has a four-beat metronome intro.
Song 10, Soprano, in at 7.
Song 10, Alto 1, in at 7.
Song 10, Alto 2, in at 7.
Song 10, Tenor, in at 7.
Song 10, Bass, in at 7.
Song 10, Jabberwock.
Song 11, Some Things Fall Away, Down a Major Second. The vamp bar at the beginning happens 4 times.
Song 12, Your Shell of Grief.
Song 12, S/A at 50.
Song 12, T/B at 50.
Song 12, Four Turtles.
Song 13, Another Room in Your Head. Vamp at end happens 4 times.
Song 13, Soprano, at 32, with Alfred for context.
Song 13, Alto, at 32, with Alfred for context.
Song 13, Tenor, at 32, with Alfred for context.
Song 13, Bass, at 32, with Alfred for context.
Song 13, Alice.
Song 13, Alice, version 2.
Song 13, Alice, alternate ending
Song 13, Alfred.
Song 13, Alice right, Alfred left.
Song 14, Isn’t it a Trial? 2 bar click into measure 52.
Song 14, S/A. The whole song is here to help you learn where everything goes, but it’s the same line every time.
Song 15, Do You Think We Think You’re Alice?
Song 15, Soprano.
Song 15, Alto.
Song 15, Tenor.
Song 15, Bass.
Song 15, Both Queens.
Song 16, I’ve Shrunk Enough. Recording starts at measure 4A.
Song 16, Alice.
Song 16, Alfred.
Song 16, CC.
Song 16, CC and Alice.
Song 16, Alfred and Alice.
Song 16, Ensemble, at 59.
Song 17, Still (Reprise). Apologies for the abrupt chord at the end.
Song 18, Afternoon. Down a Major Second. Two-bar repeat at top.
Song 18, Down a M2, Alice and Alfred.
Song 18, Down a Major 2nd. Sop/Alto at 40, with Alice for Context.
Song 18, Down a Major 2nd. Ten/Bass at 40, with Alice for Context.
Song 19, Winter Blooms.
Song 19, Soprano, at 25.
Song 19, Alto, at 25.
Song 19, Tenor, at 25.
Song 19, Bass, at 25.
Song 19, Backing Track, at 25.
Sven Heyde 