SCB

Selkirk Senior Concert Band Repertoire, 2025-2026

And So He Also Loves the Bow. Roland Barrett.

ASHALTB, FL, Baritone, Mallets.

ASHALTB, TS, BS, Mallets.

ASHALTB, FL, AS, Tbone, Mallets.

ASHALTB, CL 1, TPT 1, Tuba, Malets. 

ASHALTB,  CL2, Tpt2, Bassoon, Mallets.

Pirates of the Caribbean, Arr. Ted Ricketts. 

Prelude and Firestorm, Roland Barrett. 

Symphonic Gershwin, Arr. Barker. 

Gershwin, American in Paris (measures 1-97), complete. At hoped-for performance tempo.

American in Paris, at tempo. Complete.

American in Paris, 80% tempo. Complete.

American in Paris, half tempo, complete.

American in Paris  (measures 1-97), at tempo. FL and BS.

American in Paris  (measures 1-97), 80% tempo. FL and BS.

American in Paris  (measures 1-97), 65% tempo. FL and BS.

American in Paris  (measures 1-97), Half tempo. FL and BS.

American in Paris  (measures 1-97), Half tempo. FL and TS.

American in Paris  (measures 1-97), at tempo. Oboe and Baritone.

American in Paris  (measures 1-97), 80% tempo. Oboe and Baritone.

American in Paris  (measures 1-97), 65% tempo. Oboe and Baritone.

American in Paris  (measures 1-97), Half tempo. Oboe and Baritone.

American in Paris  (measures 1-97), at tempo. Clar 1 and Tbone 1.

American in Paris  (measures 1-97), 80% tempo. Clar 1 and Tbone 1.

American in Paris  (measures 1-97), 65% tempo. Clar 1 and Tbone 1.

American in Paris  (measures 1-97), Half tempo. CL 1 and Tbone 1.

American in Paris  (measures 1-97), at tempo. Clar 2 and Tbone 2.

American in Paris  (measures 1-97), 80% tempo. Clar 2 and Tbone 2.

American in Paris  (measures 1-97), 65% tempo. Clar 2 and Tbone 2.

American in Paris  (measures 1-97), Half tempo. Cl 2 and Tbone 2.

American in Paris  (measures 1-97), at tempo. Clar 3 and Tbone 3.

American in Paris  (measures 1-97), 80% tempo. Clar 3 and Tbone 3.

American in Paris  (measures 1-97), 65% tempo. Clar 3 and Tbone 3.

American in Paris  (measures 1-97), Half tempo. CL 3 and Tbone 3.

American in Paris  (measures 1-97), at tempo. AS 1 and BC.

American in Paris  (measures 1-97), 80% tempo. AS 1 and BC.

American in Paris  (measures 1-97), 65% tempo. AS 1 and BC.

American in Paris  (measures 1-97), Half tempo. AS 1 and BC.

American in Paris  (measures 1-97), Half tempo. AS 1, Tuba, Mallets.

American in Paris  (measures 1-97), at tempo. AS 2 and Bassoon.

American in Paris  (measures 1-97), 80% tempo. AS 2 and Bassoon.

American in Paris  (measures 1-97), 65% tempo. AS 2 and Bassoon.

American in Paris  (measures 1-97), Half tempo. AS 2 and Bassoon.

American in Paris  (measures 1-97), at tempo. TS and Mallets.

American in Paris  (measures 1-97), 80% tempo. TS and Mallets.

American in Paris  (measures 1-97), 65% tempo. TS and Mallets.

American in Paris  (measures 1-97), Half tempo. TS and Mallets.

American in Paris  (measures 1-97), at tempo. Hn and Tuba.

American in Paris  (measures 1-97), 80% tempo. Hn and Tuba.

American in Paris  (measures 1-97), 65% tempo. Hn and Tuba.

American in Paris  (measures 1-97), Half tempo. Hn and Tuba.

American in Paris  (measures 1-97), at tempo. Tpt 1 and BC.

American in Paris  (measures 1-97), 80% tempo. Tpt 1 and BC.

American in Paris  (measures 1-97), 65% tempo. Tpt 1 and BC.

American in Paris  (measures 1-97), Half tempo. Tpt 1 and BC.

American in Paris  (measures 1-97), at tempo. Tpt 2 and Bassoon.

American in Paris  (measures 1-97), 80% tempo. Tpt 2 and Bassoon.

American in Paris  (measures 1-97), 65% tempo. Tpt 2 and Bassoon.

American in Paris  (measures 1-97), Half tempo. Tpt 2 and Bassoon.

American in Paris  (measures 1-97), at tempo. Tpt 3 and Tuba.

American in Paris  (measures 1-97), 80% tempo. Tpt 3 and Tuba.

American in Paris  (measures 1-97), 65% tempo. Tpt 3 and Tuba.

American in Paris  (measures 1-97), Half tempo. Tpt 3 and Tuba.

Gershwin, Rhapsody in Blue (measures 96-174), complete. At hoped-for performance tempo.

Rhapsody in Blue, half tempo, complete.

Gershwin, Rhapsody in Blue (measures 96-174), flute and bassoon. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Fl and TS. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Fl and TS. 65%  tempo.

Gershwin, Rhapsody in Blue (measures 96-174), FL and Bassoon. 65%  tempo.

Gershwin, Rhapsody in Blue (measures 96-174), flute and TS. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), flute and bari sax. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), flute and tuba. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), oboe and baritone. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), oboe and baritone. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), oboe and baritone. 65%  tempo.

Gershwin, Rhapsody in Blue (measures 96-174), oboe and baritone. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL 1 and Tbone 1. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL1 and Tbone 1. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Cl 1 and Trombone 1. 65%  tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL 1 and Tbone 1. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL 2 and Tbone 2. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL 2 and Tbone 2. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Cl 2 and Trombone 2. 65%  tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL 2 and Tbone 2. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL 3 and Tbone 3. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Cl3 and Tbone 3. 80% tempo. 

Gershwin, Rhapsody in Blue (measures 96-174), Cl 3 and Trombone 3 .65%  tempo.

Gershwin, Rhapsody in Blue (measures 96-174), CL 3 and Tbone 3. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 1 and Bari Sax. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS1 and Bari Sax. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 1 and Bari Sax. 65% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 1 and Bass Clarinet. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 2 and Tuba. Performance tempo.  

Gershwin, Rhapsody in Blue (measures 96-174), AS 2 and Tuba. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 2 and Tuba. 65% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 2 and Bassoon. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Hn and Tuba. Performance tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Hn and Bass Clarinet. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Hn and Bass Clarinet. 65% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Hn and Tuba. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Tpt 1 and Bassoon. 65% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Tpt 1 and Tuba. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Tpt 1 and Tuba. Half tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Tpt 2 and Bassoon. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Tpt 2 and Bassoon. 65% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Tpt 3 and Bass Clarinet. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), Tpt 3 and Bass Clarinet. 65% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 1, Tuba, Mallets. At tempo.

Gershwin, Rhapsody in Blue (measures 96-174),  AS 1, Tuba, and Mallets. 80% tempo.

Gershwin, Rhapsody in Blue (measures 96-174), AS 1, Tuba, and Mallets. Half tempo.

Gershwin, Cuban Overture (measures 173-End), complete. At hoped-for performance tempo.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Complete.

Gershwin, Cuban Overture, 65% tempo. Complete.

Gershwin, Cuban Overture, at tempo. Flute and Bari Sax.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Fl and BS.

Gershwin, Cuban Overture, 65% tempo. Fl and BS.

Gershwin, Cuban Overture (173-end), half tempo. Fl and BS.

Gershwin, Cuban Overture (measures 173-end), FL and TS. Half Tempo.

Gershwin, Cuban Overture, at tempo. Oboe and Baritone.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Oboe and Baritone.

Gershwin, Cuban Overture, 65% tempo. Oboe and Baritone.

Gershwin, Cuban Overture (173-end), half tempo. Oboe and Baritone.

Gershwin, Cuban Overture, at tempo. Cl 1 and Tbone 1.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Cl1 and Tbone 1.

Gershwin, Cuban Overture, 65% tempo. CL and Tbone 1.

Gershwin, Cuban Overture (173-end), half tempo. Cl 1 and Tbone 1.

Gershwin, Cuban Overture, at tempo. Cl 2 and Tbone 2.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Cl 2 and Tbone 2.

Gershwin, Cuban Overture, 65% tempo. CL 2 and Tbone 2.

Gershwin, Cuban Overture (173-end), half tempo. Cl 2 and Tbone 2.  

Gershwin, Cuban Overture, at tempo. Cl 3 and Tbone 3.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Cl 3 and Tbone 3.

Gershwin, Cuban Overture, 65% tempo. CL 3 and Tbone 3.

Gershwin, Cuban Overture (173-end), half tempo. Cl 3 and Tbone 3.  

Gershwin, Cuban Overture, at tempo. AS 1 and BC.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. AS 1 and BC.

Gershwin, Cuban Overture, 65% tempo. AS 1 and BS.

Gershwin, Cuban Overture (173-end), half tempo. AS 1 and BC.

Gershwin, Cuban Overture (measures 173-end), AS 1, Tuba, Mallets. Half Tempo.

Gershwin, Cuban Overture, at tempo. AS 2 and Bassoon.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. AS 2 and Bassoon. 

Gershwin, Cuban Overture, 65% tempo. AS 2 and Bassoon.

Gershwin, Cuban Overture (173-end), half tempo. AS 2 and Bassoon.

Gershwin, Cuban Overture, at tempo. TS and Mallets.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. TS and Mallets.

Gershwin, Cuban Overture, 65% tempo. TS and Mallets.

Gershwin, Cuban Overture (173-end), half tempo. TS and Mallets.

Gershwin, Cuban Overture, at tempo. Hn and Tuba.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Hn and Tuba.  

Gershwin, Cuban Overture, 65% tempo. Hn and Tuba.

Gershwin, Cuban Overture (173-end), half tempo. Hn and Tuba.

Gershwin, Cuban Overture, at tempo. Tpt 1 and BC.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Tpt 1 and BC.

Gershwin, Cuban Overture, 65% tempo. Tpt 1 and BC.

Gershwin, Cuban Overture (173-end), half tempo. Tpt 1 and BC.

Gershwin, Cuban Overture, at tempo.  Tpt 2 and Bassoon.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Tpt 2 and Bassoon.

Gershwin, Cuban Overture, 65% tempo. Tpt 2 and Bassoon.

Gershwin, Cuban Overture (173-end), half tempo. Tpt 2 and Bassoon.

Gershwin, Cuban Overture, at tempo. Tpt 3 and Tuba.

Gershwin, Cuban Overture, (measures 173-end), 80% tempo. Tpt 3 and Tuba.

Gershwin, Cuban Overture, 65% tempo. Tpt 3 and Tuba.

Gershwin, Cuban Overture (173-end), half tempo. Tpt 3 and Tuba.

Older Rep:

Forevermore, Christina Huss. 

How to Train Your Dragon, Arr. Sean O’Loughlin.

How to Train, Measures 9-11.

How to Train, Measures 14-17.

How to Train, Flute, 43-53.

How to Train Your Dragon, 107-125. FL, Oboe, CL.

HTTYD, 114-122, Simplified.

How to Train Your Dragon, 107-125. FL.

How to Train Your Dragon, 107-125. Oboe.

How to Train Your Dragon, 107-125. CL 1.

How to Train Your Dragon, 107-125. CL 2.

How to Train Your Dragon, 107-125. CL 3.

Longthorpe Tower, Todd Stalter. 

Pavane (Pour Une Infante Defunte), Maurice Ravel. Arr. Smith. 

Pavane, CL, 13-19.

Slavonic Dance No. 8. Dvorak. Harnsberger.

Wind Power, Robert Buckley. 

Warmup Fundamentals.

Warmups 5a and 5b, woodwinds.
Warmups 5a and 5b, brass.

Artistry of Fundamentals.

A Flat Scale Study, Page 22 of Artistry of Fundamentals, 15 BPM.

A Flat Scale Study, Page 22 of Artistry of Fundamentals, 20 BPM.

A Flat Scale Study, Page 22 of Artistry of Fundamentals, 30 BPM.
A Flat Scale Study, Page 22 of Artistry of Fundamentals, 45 BPM.
A Flat Scale Study, Page 22 of Artistry of Fundamentals, 60 BPM.

B flat Scale Study, Page 2, Artistry of Fundamentals. 100 BPM.
80 BPM.
60 BPM.
50 BPM.

E flat Scale Study, Page 14 of Artistry of Fundamentals.

Doxology and Variation, Page 2 of Artistry of Fundamentals.
Doxology and Variation, Page 2 of Artistry of Fundamentals, Part One Only.
Doxology and Variation, Page 2 of Artistry of Fundamentals, Part Two Only.
Doxology and Variation, Page 2 of Artistry of Fundamentals, Part Three Only.
Doxology and Variation, Page 2 of Artistry of Fundamentals, Part Four Only.